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Volume IV
March 2006

Luisa Igloria
author's web site
www.luisaigloria.com



Three poems from
Trill and Mordent
Word Tech Editions, 2005

If the Poem Were Glass
The Summer Carnival
Temple Rubbing

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"The Summer Carnival" first appeared in NEW LETTERS (summer 2003)
and was a Finalist for the New Letters Poetry Prize that same year.

The Summer Carnival


Summers, the football field that bordered Burnham
Lake transformed into a carnival— canvas tents
streaked with dust; midgets and untidy animals

unpacked and left to sit, blinking, in the sun; until
someone remembered to send a boy for water, or caught
the smell of soured droppings on clipped

grass. I imagined their sometimes month-
long journeys in trucks that labored grimly
uphill, stopping for three days, a week— in town

after little town— coupling and dismantling gears
and axles; the creaking bucket seats of Ferris
wheels, man-size teacups, wobbly red-and-yellow

ponies on merry-go-rounds, assembled by smiths
and plumbers out of work. Moving on, they pushed
farther north, past yawning gorges. Streams of water,

thinned to shallow plates, revealed the copper undersides
of stones as the air lightened and chilled, grew heady. Later,
in town we read the gaudy, hand-lettered cardboard

signs— Delilah, Diviner of Palms and Fortunes,
The Man Who Eats Fire, Rubber Band Boy. Jungle
Man Will Eat Live Rooster— and we gawked

and jeered, crossed ourselves or looked away,
recognizing the gift of our own private
deformities. Mermaid, Boy

with Fish Scales— they lay on their sides at night,
dreaming on mattresses that crackled and foamed with straw
and saffroned the air around them with chalky dust. Nothing

here was merely just a trick of light or mirrors. We knew
those costumes of pockmarked skin, the extra finger or half-
sewn eye, the stumps kept as souvenirs of accidents

or births. I saw the rooster man eat from a tin
plate, then, like everyone in the lunch tent, use knife
and fork to spear chunks of chayote swimming

in vegetable broth. When night fell, white sheets
were knotted and draped over a billboard frame and bodies
packed the field to watch the screen fill with black-

and-white images: Tarzan and the Apes, dusky-eyed
Valentino as turbaned sheikh, beaded fringes on flapper
girls’ skirts; The Three Stooges clanking over broken

ladders and pails; the tramp with the bowler
hat and baggy pants— sad beyond words—
shuffling away down the darkened avenue.



Copyright © 2006 Philippine American Writers and Artists, Inc.
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